{"id":28935,"date":"2022-08-19T09:56:58","date_gmt":"2022-08-19T07:56:58","guid":{"rendered":"https:\/\/saintmerry-hors-les-murs.com\/?p=28935"},"modified":"2022-08-19T09:56:59","modified_gmt":"2022-08-19T07:56:59","slug":"lettre-dete-de-voir-et-dire","status":"publish","type":"post","link":"https:\/\/saintmerry-hors-les-murs.com\/en\/2022\/08\/19\/lettre-dete-de-voir-et-dire\/","title":{"rendered":"Lettre d\u2019\u00e9t\u00e9 de Voir et Dire"},"content":{"rendered":"

Dans sa lettre d\u2019ao\u00fbt 2022, V&D, le site de d\u00e9couvertes de l\u2019art contemporain en r\u00e9sonance avec le projet culturel et spirituel de Saint-Merry-Hors-les-Murs, propose : La Biennale de Venise, Le Socle, le Mus\u00e9e de la Chasse et de la Nature et bien d’autres expositions. La chronique de Jean Deuz\u00e8mes.<\/p>\n\n\n\n

La Biennale de Venise 22<\/strong>
\u00ab\u00a0The Milk of Dreams\u00a0\u00bb. Une Biennale au f\u00e9minin. Huit \u0153uvres choisies librement parmi tant d\u2019autres. Huit arr\u00eats sur images. (>>>)<\/a><\/p>\n\n\n

\n
\"600<\/a>
Katharina Fritsch. Elefant\/Elephant<\/em>, 1987<\/figcaption><\/figure>\n<\/div>\n\n\n

Victorine M\u00fcller. \u00ab\u00a0Le mouvement v\u00e9g\u00e9tatif\u00a0\u00bb\u00a0 passe par Le Socle\u00a0<\/strong>
Exprimer la vuln\u00e9rabilit\u00e9 et la pr\u00e9ciosit\u00e9 de ce qui est en train d\u2019advenir. Hors normes.(>>>)<\/a><\/p>\n\n\n

\n
\"600<\/a>
Victorine M\u00fcller. \u00a0Le mouvement v\u00e9g\u00e9tatif<\/em>, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

Incursions sauvages<\/strong>
Mus\u00e9e de la Chasse et de la Nature. Sauvages comme le sont certains animaux ou le Street art dans l\u2019espace urbain. (>>>)<\/a><\/p>\n\n\n

\n
\"600<\/a>
Ruban Carrasco. Le retour de la faune<\/em>, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

Thibault Lucas. Portes, pierres, passages<\/strong>
Des pierres d\u00e9laiss\u00e9es de la ville, il fait des monuments fragiles et po\u00e9tiques. (>>>)<\/a><\/p>\n\n\n

\n
\"600
Thibault Lucas. Porte<\/em> de la Villette<\/em>, 2019-2022<\/figcaption><\/figure>\n<\/div>\n\n\n

Maxim Kantor. The Rape of Europe<\/strong>
Un tableau, une exposition \u00e0 Luxembourg. Un acte de culture et de solidarit\u00e9 face \u00e0 l\u2019invasion de l\u2019Ukraine. (>>>)<\/a><\/p>\n\n\n

\n
\"600
Maxim Kantor. The Rape of Europe<\/em>, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

Florence Obrecht. Odyss\u00e9e<\/strong>
Un radeau \u00e9chou\u00e9 \u00e0 Saint-Eustache. Une installation foisonnante et po\u00e9tique\u00a0 Une parade en condens\u00e9. (>>>)<\/a><\/p>\n\n\n

\n
\"600
Florence Obrecht. Odyss\u00e9e<\/em>, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n

H\u00e9H\u00e9. Printemps nucl\u00e9aire<\/strong>
Des maquettes d\u2019enfants, faussement innocentes. Des nuages jouant avec l\u2019inqui\u00e9tude. Galerie Saint-S\u00e9verin. (>>>)<\/a><\/p>\n\n\n

\n
\"600_He\u0301he\u0301\"
H\u00e9H\u00e9. Printemps nucl\u00e9aire<\/em>, 2022<\/figcaption><\/figure>\n<\/div>
Categories<\/span>Art<\/a> Interroger l'art contemporain<\/a><\/div>
Tags<\/div>Voir et Dire<\/a><\/div>","protected":false},"excerpt":{"rendered":"

Dans la lettre d\u2019ao\u00fbt 2022, V&D, le site de d\u00e9couvertes de l\u2019art contemporain en r\u00e9sonance avec le projet culturel et spirituel de Saint-Merry-Hors-les-Murs, propose : La Biennale de Venise, Le Socle, le Mus\u00e9e de la Chasse et de la Nature. La chronique de Jean Deuz\u00e8mes.<\/p>","protected":false},"author":21,"featured_media":28936,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":"","spt_transcript":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[16,425],"tags":[592],"class_list":["post-28935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-interroger-lart-contemporain","tag-voir-et-dire"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/saintmerry-hors-les-murs.com\/wp-content\/uploads\/2022\/08\/1500-Tesumi-IMG_0287.jpg?fit=1500%2C1125&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/posts\/28935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/comments?post=28935"}],"version-history":[{"count":8,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/posts\/28935\/revisions"}],"predecessor-version":[{"id":30567,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/posts\/28935\/revisions\/30567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/media\/28936"}],"wp:attachment":[{"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/media?parent=28935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/categories?post=28935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saintmerry-hors-les-murs.com\/en\/wp-json\/wp\/v2\/tags?post=28935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}